The Project Gutenberg EBook of Spoken For, by William Morrison

This eBook is for the use of anyone anywhere in the United States and most
other parts of the world at no cost and with almost no restrictions
whatsoever.  You may copy it, give it away or re-use it under the terms of
the Project Gutenberg License included with this eBook or online at
www.gutenberg.org.  If you are not located in the United States, you'll have
to check the laws of the country where you are located before using this ebook.

Title: Spoken For

Author: William Morrison

Release Date: February 3, 2016 [EBook #51121]

Language: English

*** START OF THIS PROJECT GUTENBERG EBOOK SPOKEN FOR ***

Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net

SPOKEN FOR

By WILLIAM MORRISON

Illustrated by EMSH

[Transcriber's Note: This etext was produced from
Galaxy Science Fiction Fiction July 1955.
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]

He was lost—anyone could see that—but she
had no idea how entirely lost he was nor why!

Half of Jupiter's great disk and most of the other moons were below the horizon when the man stepped out of the plane and changed her life. As far as Carol Marsh was concerned, he was ordinary enough in appearance. And she wasn't ordinarily attracted to ordinary men.

He was slightly over medium height, his features were not quite regular, and he had a deep tan over what had started out as a sunburn, so that she decided he had misjudged the strength of the sun on some planet with a thin atmosphere.

She frowned as she watched him look around. She was annoyed by the fact that it took him almost a minute to get his bearings and realize that she was first, a human being and second, a girl well worth a man's attention.

Even the troubled expression in his eyes was something she held against him. A man shouldn't look troubled. A man should be confident, self-assured in a manner that also assured the girl he spoke to. She remembered that back on Earth John Burr had been completely self-assured.

It was startling to realize that it was with this newcomer, whose appearance she had every reason to dislike, that she had fallen suddenly and completely in love, as suddenly and completely as if she had fallen off a cliff.

"I'm looking for some people," he said. "But I suppose—" His very voice was ill at ease, and that was something else she should have held against him. And against herself. She had always resented men whose voices betrayed their lack of confidence. "I suppose it's no use," he went on. "I'd recognize the house."

"Who are the people you're looking for?"

He took out a wallet, and from it drew a stereo picture. Two children, a boy and a girl, were standing with a smiling young woman in front of a sturdy, old-fashioned plastic house. Their clothes were out of fashion by a year or so, but that depended on where you were. Mars, for instance, was always three years behind Earth. Here on Ganymede, on the other hand, you might even be ahead of Earth in some respects.

As Carol's eyes lifted to his, she saw him staring at the picture with such longing that she at once knew herself for a fool. They're his wife and children, she thought. He's trying to find them. And I had to fall in love with him at first sight.

His eyes were on her now, and she said, "I'm sorry, I've never seen them."

"Have you lived around here long?"

"Five years."

"Then this can't be the place." He stood there irresolutely and started to turn slowly away without even a word of thanks to her.

"My father may have heard about them," said Carol, knowing herself for a fool again.

Past experience, she told herself ruefully, had taught her nothing. The thing to do was to let him go and forget him as quickly as possible, before she learned anything about him, before her feeling for him could become anything more than an irrational, momentary impulse. The stronger the bonds of knowledge and interest between them, the more painful they would be to break. And the breaking was inevitable.

The house where she and her father lived was a simple dome-shaped building, its walls and furniture both made of a silicon plastic whose raw materials had come from the ground on which it stood. There were rugs and draperies of a slightly different composition, woven on the all-purpose Household Helper that her father had bought before leaving Earth. They lived comfortably enough, she thought, as she led the man in.

But he hardly noticed the house or anything in it. When they reached the library and her father looked up from the book he was reading, only then did the man display interest. The book was a favorite of her father's and it made him unhappy to cut his reading short.

Nevertheless, he turned off the projector, stood up, and said, "Yes, Carol?"

"This man is looking for some—some friends of his, Dad. I thought you might be able to help him."

She held out the picture and, to her relief, her father stared at that instead of at her. Sometimes he was a little too shrewd; if she was making a fool of herself, there was no need for him to know it. He could be a sardonic man and he did not suffer fools gladly, even in his own family. He was of the opinion that she had used up her quota of foolishness with John Burr.

He was shaking his head. "Sorry, I've never seen them. Are you sure they live around here?"

"No," said the man. "I'm not sure. I'm not sure of anything, except that they're my wife and kids. And I've got to find them."

"Have you checked at the District Office?"

"I did that first. They couldn't help me, but they said their records weren't complete yet."

"They're complete enough, I should think. Maybe they don't list every prospector who wanders around without settling down, but they wouldn't be likely to miss a woman and two children. I'm afraid that you're wasting your time looking on Ganymede."

The man's face clouded. "It isn't a waste of my time," he said. "I've got nothing else to do with it. And I have to find them. They need me."

Mr. Marsh looked away from the man to his daughter, and Carol was a little slow in avoiding his eyes. "I see," he said, and she had an idea of what he meant by that. He saw too much.

If he knew, there was nothing she could do about it. She said, "Perhaps Mr.—"

She paused, and the man said dully, "Callendar."

"Perhaps if Mr. Callendar would have dinner with us and tell us a little more, we'd be better able to help."

"Not a bad idea, Carol. We should know a little more."

Carol selected a dinner and pressed the button that would start its preparation.

Her father said casually, "You are a stranger to Ganymede, aren't you, Mr. Callendar?"

"I'm not sure of that," said the man.

Her father's eyebrows went up.

Carol said, "But you do come from one of Jupiter's moons?"

"I can't remember which one. There are a lot of things that my memory's hazy about. I can't even recall the name of the company I worked for as an engineer."

"That may not be so strange. I find difficulty remembering the school where I taught on Earth. P.S. 654, wasn't it, Dad?"

"P.S. 634," Mr. Marsh corrected briefly.

"You see?" she said. "Do you remember your wife's name? And the names of your children?"

"I wouldn't forget them," he said. "My wife's name was Mona." He stared at the wall for a moment, his face without expression. "I can still see the way she looked when I left to undergo treatment. Paul was—let's see, he must be about nine, maybe ten, by this time. And Wilma must be six or seven. I remember how scared she was that time she found a harmless little phytopod. She thought it was going to bite her."

"Phytopod?" said Carol. "We don't have them around here. What do they look like?"

"They're small and furry, and have two feet that look like roots. When they stand still you're likely to mistake them for plants."

"You do recall some things," said Carol.

"The little things that don't tell me where to look. I remember the time we went on a picnic—I don't recall how many moons there were in the sky—and the ground began to shake. It didn't do any damage, but Wilma was terrified. Paul took it in his stride, though."

"There aren't any earthquakes on Ganymede," said her father. "If your memory of that incident is correct, you're looking in the wrong place."

"I suppose so," he said. "But what's the right place?"

"Perhaps if you thought of a few more incidents, we might figure it out. It's the little things you don't forget that can be most helpful."

What nonsense, thought Carol, although she kept the thought to herself. The little things can be most harmful. They keep the pain, and the memory of pain, alive and vivid. She remembered little things about John all too well—the careless way he wore his clothes, and the way he combed his hair, the cigarettes he smoked, and the foods he liked to eat. And the stupid way she had let herself fall in love with him.

She hadn't even had the excuse of its happening suddenly, as it had happened now. She had begun to love John as she had come to know him, disregarding all the evidence of his selfishness, of his genuine inability to care for any one else than John Burr.

Unaware of what was going on in her mind, Callendar was saying, with somewhat more animation than he had previously shown, "I think you're right, Mr. Marsh. I've kept my troubles too much to myself. Maybe you can't actually do anything for me, but it wouldn't hurt me to talk. I should have done my talking long ago. When they found me."

"Where did they find you?" asked her father. "And what did you mean before, when you said you're not sure of anything?"

"They picked me up in a lifeboat, drifting some place between Mars and Jupiter. The motor was off, but the power pile was working, and the air-purifying equipment was on. I was apparently hibernating. I might have been that way for six months or a year."

"And you don't remember—" said Carol.

"There's plenty I don't remember, but as I've said, my memory isn't a complete blank. My wife and I and the kids had settled down in a new colony—exactly where it was is one of the things I forget. I believe now that it wasn't Ganymede. Maybe it was some other moon of Jupiter's.

"Anyway, I seem to recall having some trouble with my health, and being taken onto an inter-planetary hospital ship for treatment—L-treatment, they called it. That's where they put me to sleep. What happened after that, I can only guess. The ship must have been involved in some accident. I must have been transferred to the lifeboat."

"Alone?" asked Carol's father.

"No. There were two other patients with me. They were found dead. I was the only one left alive. The bodies of the crew members who transferred us weren't found at all. They might have gone back for more patients and then been unable to get away again."

"Who found your lifeboat?"

"The crew of a freighter, who spotted it drifting across a space lane. They took me on board and revived me. But they were in a hurry and didn't have much time to stay and investigate."

Mr. Marsh was thoughtful and silent.

Carol asked, "Weren't there any records in the lifeboat?"

"Nobody thought of that, at least not in the beginning. At first, when I regained consciousness, my mind was almost a complete blank. Then I began to remember things, but not enough. I couldn't recall where the colony had been, and after I had recovered enough to be able to get around, I began looking for my wife and children. I haven't come across a trace of them, although I've been on many worlds."

The food had long been ready and waiting. Until now, no one had thought of getting it. He stared as if through the wall and Carol, after she had set the dishes before him, had to remind him of their presence. When he did eat, it was automatically, without enjoyment.

Afterward, her father surprised Carol by saying, "Why not stay with us overnight, Mr. Callendar? We have an extra room, and tomorrow I may be able to give you a little helpful information."

The man's eyes came alive. "You're serious? You think that from what I told you, you'll be able to guess where I came from?"

"I used the word 'might.' Don't get your hopes up too much."

His face fell again. "Thanks for warning me," he said in a flat tone.

When, later on, he had gone to his room, Carol said, "Dad, do you really think you can help him?"

"That depends on your idea of help. Why are you so interested in him? Perhaps you're falling in love with him, Carol?"

"I think so."

"Under the circumstances, that's completely idiotic. Would there be any sense in asking why you fell in love with him?"

"Well, he looked so lost! I guess it's maternal—"

"As genuine a case of the grand passion as I've ever encountered," he said drily. "Almost as genuine as your previous experience."

Carol flushed. "He isn't like John."

"Fortunately, you are right. Burr was essentially a selfish baby. I can't imagine him spending his life looking for a wife and children he had lost. In future, Carol, if you must fall in love at all, do it suddenly. You choose much better that way."

"Yes, I know," she said. "Except for the fact that the wife and children may interfere. But don't worry, Dad. This time I'm not quitting my job and moving several million miles away to try to forget."

"There'll be no need for that." His face took on a troubled expression. "You'll have to face your problem right here."

"You haven't answered my question," said Carol. "Do you really think you can help him?"

"That isn't an easy one to answer. We'll have to prepare him for a shock, Carol. A first-class shock. That's why I wanted to be sure you were in love with him. It may make things easier for him to stand."

"What things?"

Her father hesitated. "Have you ever heard of this L-treatment he mentioned?"

She shook her head.

"I thought not. Carol," he said, and his voice was unexpectedly full of compassion, "you're going to have a very sick man on your hands. It won't be pleasant for either you or me, and it's going to be horrible for him. But it must be gone through. He must be told."

"For heaven's sake, what is it?"

"The L in L-treatment," he said slowly, "stands for longevity. That was what he was treated for. But you see now why it was found to be dangerous and discontinued. The reason you never heard of it is that it was developed and discarded two hundred years ago. Callendar wasn't adrift in space for a year or two, as he thinks. He was adrift for two centuries."

"No! Oh, no!"

"That's why the clothes in those pictures seemed odd. They've been in style and out again half a dozen times, with slight changes each time. That is why, furthermore, he can't find his wife and children on any of Jupiter's moons. The moons were first colonized ninety years ago."

"But he says—"

"He'll never see his wife and children again. They've lived their lives and died and been buried in the past. He should have died with them in his own time and not lived into ours."

"No," said Carol, "or I'd never have known him."

She was white and trembling, and her father pulled her to him and let her head rest on his shoulder.

Mr. Marsh said, "Perhaps you're right. I don't know. Anyway, he'll have to be told. And for your sake, I'd better do the telling."

Carol was silent, and they both thought of the sleeping man who didn't know that his old life had ended and that a new life was to begin so painfully in the morning.

End of the Project Gutenberg EBook of Spoken For, by William Morrison

*** END OF THIS PROJECT GUTENBERG EBOOK SPOKEN FOR ***

***** This file should be named 51121-h.htm or 51121-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/5/1/1/2/51121/

Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net

Updated editions will replace the previous one--the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for the eBooks, unless you receive
specific permission. If you do not charge anything for copies of this
eBook, complying with the rules is very easy. You may use this eBook
for nearly any purpose such as creation of derivative works, reports,
performances and research. They may be modified and printed and given
away--you may do practically ANYTHING in the United States with eBooks
not protected by U.S. copyright law. Redistribution is subject to the
trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works

1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1.E.8.

1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country outside the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:

  This eBook is for the use of anyone anywhere in the United States and
  most other parts of the world at no cost and with almost no
  restrictions whatsoever. You may copy it, give it away or re-use it
  under the terms of the Project Gutenberg License included with this
  eBook or online at www.gutenberg.org. If you are not located in the
  United States, you'll have to check the laws of the country where you
  are located before using this ebook.

1.E.2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg-tm License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm web site
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original "Plain
Vanilla ASCII" or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that

* You pay a royalty fee of 20% of the gross profits you derive from
  the use of Project Gutenberg-tm works calculated using the method
  you already use to calculate your applicable taxes. The fee is owed
  to the owner of the Project Gutenberg-tm trademark, but he has
  agreed to donate royalties under this paragraph to the Project
  Gutenberg Literary Archive Foundation. Royalty payments must be paid
  within 60 days following each date on which you prepare (or are
  legally required to prepare) your periodic tax returns. Royalty
  payments should be clearly marked as such and sent to the Project
  Gutenberg Literary Archive Foundation at the address specified in
  Section 4, "Information about donations to the Project Gutenberg
  Literary Archive Foundation."

* You provide a full refund of any money paid by a user who notifies
  you in writing (or by e-mail) within 30 days of receipt that s/he
  does not agree to the terms of the full Project Gutenberg-tm
  License. You must require such a user to return or destroy all
  copies of the works possessed in a physical medium and discontinue
  all use of and all access to other copies of Project Gutenberg-tm
  works.

* You provide, in accordance with paragraph 1.F.3, a full refund of
  any money paid for a work or a replacement copy, if a defect in the
  electronic work is discovered and reported to you within 90 days of
  receipt of the work.

* You comply with all other terms of this agreement for free
  distribution of Project Gutenberg-tm works.

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg-tm electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from both the Project Gutenberg Literary Archive Foundation and The
Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg-tm
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg-tm work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg-tm work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at
www.gutenberg.org

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state's laws.

The Foundation's principal office is in Fairbanks, Alaska, with the
mailing address: PO Box 750175, Fairbanks, AK 99775, but its
volunteers and employees are scattered throughout numerous
locations. Its business office is located at 809 North 1500 West, Salt
Lake City, UT 84116, (801) 596-1887. Email contact links and up to
date contact information can be found at the Foundation's web site and
official page at www.gutenberg.org/contact

For additional contact information:

    Dr. Gregory B. Newby
    Chief Executive and Director
    gbnewby@pglaf.org

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular
state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate

Section 5. General Information About Project Gutenberg-tm electronic works.

Professor Michael S. Hart was the originator of the Project
Gutenberg-tm concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg-tm eBooks with only a loose network of
volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our Web site which has the main PG search
facility: www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.