The Project Gutenberg EBook of Native Son, by T. D. Hamm

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net

Title: Native Son

Author: T. D. Hamm

Release Date: September 17, 2009 [EBook #30014]

Language: English

*** START OF THIS PROJECT GUTENBERG EBOOK NATIVE SON ***

Produced by Greg Weeks, Stephen Blundell and the Online
Distributed Proofreading Team at http://www.pgdp.net

NATIVE SON

By
T. D. Hamm

Tommy hated Earth, knowing his mother might go home to Mars without him. Worse, would a robot secretly take her place?...

Tommy Benton, on his first visit to Earth, found the long-anticipated wonders of twenty-first-century New York thrilling the first week, boring and unhappy the second week, and at the end of the third he was definitely ready to go home.

The never-ending racket of traffic was torture to his abnormally acute ears. Increased atmospheric pressure did funny things to his chest and stomach. And quick and sure-footed on Mars, he struggled constantly against the heavy gravity that made all his movements clumsy and uncoordinated.

The endless canyons of towering buildings, with their connecting Skywalks, oppressed and smothered him. Remembering the endless vistas of rabbara fields beside a canal that was like an inland sea, homesickness flooded over him.

He hated the people who stared at him with either open or hidden amusement. His Aunt Bee, for instance, who looked him up and down with frank disapproval and said loudly, "For Heavens sake, Helen! Take him to a good tailor and get those bones covered up!"

Was it his fault he was six inches taller than Terran boys his age, and had long, thin arms and legs? Or that his chest was abnormally developed to compensate for an oxygen-thin atmosphere? I'd like to see her, he thought fiercely, out on the Flatlands; she'd be gasping like a canal-fish out of water.

Even his parents, happily riding the social merry-go-round of Terra, after eleven years in the Martian flatlands, didn't seem to understand how he felt.

"Don't you like Earth, Tommy?" queried his mother anxiously.

"Oh ... it's all right, I guess."

"... 'A nice place to visit' ..." said his father sardonically.

"... 'but I wouldn't live here if they gave me the place!' ..." said his mother, and they both burst out laughing for no reason that Tommy could see. Of course, they did that lots of times at home and Tommy laughed with them just for the warm, secure feeling of belonging. This time he didn't feel like laughing.

"When are we going home?" he repeated stubbornly.

His father pulled Tommy over in the crook of his arm and said gently, "Well, not right away, son. As a matter of fact, how would you like to stay here and go to school?"

Tommy pulled away and looked at him incredulously.

"I've been to school!"

"Well, yes," admitted his father. "But only to the colony schools. You don't want to grow up and be an ignorant Martian sandfoot all your life, do you?"

"Yes, I do! I want to be a Martian sandfoot. And I want to go home where people don't look at me and say, 'So this is your little Martian!'"

Benton, Sr., put his arm around Tommy's stiffly resistant shoulders. "Look here, old man," he said persuasively. "I thought you wanted to be a space engineer. You can't do that without an education you know. And your Aunt Bee will take good care of you."

Tommy faced him stubbornly. "I don't want to be any old spaceman. I want to be a sandfoot like old Pete. And I want to go home."

Helen bit back a smile at the two earnest, stubborn faces so ridiculously alike, and hastened to avert the gathering storm.

"Now look, fellows. Tommy's career doesn't have to be decided in the next five minutes ... after all, he's only ten. He can make up his mind later on if he wants to be an engineer or a rabbara farmer. Right now, he's going to stay here and go to school ... and I'm staying with him."

Resolutely avoiding both crestfallen faces, Helen, having shepherded Tommy to bed, returned to the living room acutely conscious of Big Tom's bleak, hurt gaze at her back.

"Helen, you're going to make a sissy out of the boy," he said at last. "There isn't any reason why he can't stay here at home with Bee."

Helen turned to face him.

"Earth isn't home to Tommy. And your sister Bee told him he ought to be out playing football with the boys instead of hanging around the house."

"But she knows the doctor said he'd have to take it easy for a year till he was accustomed to the change in gravity and air-pressure," he answered incredulously.

"Exactly. She also asked me," Helen went on grimly, "if I thought he'd be less of a freak as he got older."

Tom Benton swore. "Bee always did have less sense than the average hen," he gritted. "My son a freak! Hell's-bells!"

Tommy, arriving at the hall door in time to hear the tail-end of the sentence, crept back to bed feeling numb and dazed. So even his father thought he was a freak.

The last few days before parting was one of strain for all of them. If Tommy was unnaturally subdued, no one noticed it; his parents were not feeling any great impulse toward gaiety either.

They all went dutifully sight-seeing as before; they saw the Zoo, and went shopping on the Skywalks, and on the last day wound up at the great showrooms of "Androids, Inc."

Tommy had hated them on sight; they were at once too human and too inhuman for comfort. The hotel was full of them, and most private homes had at least one. Now they saw the great incubating vats, and the processing and finally the showroom where one of the finished products was on display as a maid, sweeping and dusting.

"There's one that's a dead-ringer for you, Helen. If you were a little better looking, that is." Tommy's dad pretended to compare them judicially. Helen laughed, but Tommy looked at him with a resentfulness. Comparing his mother to an Android....

"They say for a little extra you can get an exact resemblance. Maybe I'd better have one fixed up like you to take back with me," Big Tom added teasingly. Then as Helen's face clouded over, "Oh, hon, you know I was only kidding. Let's get out of here; this place gives me the collywobbles. Besides, I've got to pick up my watch."

But his mother's face was still unhappy and Tommy glowered sullenly at his father's back all the way to the watch-shop.

It was a small shop, with an inconspicuous sign down in one corner of the window that said only, "KRUMBEIN—watches," and was probably the most famous shop of its kind in the world. Every spaceman landing on Terra left his watch to be checked by the dusty, little old man who was the genius of the place. Tommy ranged wide-eyed about the clock and chronometer crammed interior. He stopped fascinated before the last case. In it was a watch ... but, what a watch! Besides the regulation Terran dial, it had a second smaller dial that registered the corresponding time on Mars. Tommy's whole heart went out to it in an ecstasy of longing. He thought wistfully that if you could know what time it was there, you could imagine what everyone was doing and it wouldn't seem so far away. Haltingly, he tried to explain.

"Look, Mom," he said breathlessly. "It's almost five o'clock at home. Douwie will be coming up to the barn to be fed. Gosh, do you suppose old Pete will remember about her?"

His mother smiled at him reassuringly. "Of course he will, silly. Don't forget he was the one who caught and tamed her for you."

Tommy gulped as he thought of Douwie. Scarcely as tall as himself; the big, rounded, mouselike ears, and the flat, cloven pads that could carry her so swiftly over the sandy Martian flatlands. One of the last dwindling herds of native Martian douwies, burden-carriers of a vanished race, she had been Tommy's particular pride and joy for the last three years.

Behind him, Tommy heard his mother murmur under her breath, "Tom ... the watch; could we?"

And his Dad regretfully, "It's a pretty expensive toy for a youngster, Helen. And even a rabbara raiser's bank account has limits."

"Of course, dear; it was silly of me." Helen smiled a little ruefully. "And if Mr. Krumbein has your watch ready, we must go. Bee and some of her friends are coming over, and it's only a few hours 'till you ... leave."

Big Tom squeezed her elbow gently, understandingly, as she blinked back quick tears. Trailing after them, Tommy saw the little by-play and his heart ached. The guilt-complex building up in him grew and deepened.

He knew he had only to say, "Look, I don't mind staying. Aunt Bee and I will get along swell," and everything would be all right again. Then the terror of this new and complex world—as it would be without a familiar face—swept over him and kept him silent.

His overwrought feelings expressed themselves in a nervously rebelling stomach, culminating in a disgraceful moment over the nearest gutter. The rest of the afternoon he spent in bed recuperating.

In the living room Aunt Bee spoke her mind in her usual, high-pitched voice.

"It's disgraceful, Helen. A boy his age.... None of the Bentons ever had nerves."

His mother's reply was inaudible, but on the heels of his father's deeper tones, Aunt Bee's voice rose in rasping indignation.

"Well! I never! And from my own brother, too. From now on don't come to me for help with your spoiled brat. Good-bye!"

The door slammed indignantly, his mother chuckled, and there was a spontaneous burst of laughter. Tommy relaxed and lay back happily. Anyway, that was the last of Aunt Bee!

The next hour or two passed in a flurry of ringing phones, people coming and going, and last-minute words and reminders. Then suddenly it was time to leave. Dad burst in for a last quick hug and a promise to send him pictures of Douwie and her foal, due next month; Mother dropped a hasty kiss on his hair and promised to hurry back from the Spaceport. Then Tommy was alone, with a large, painful lump where his heart ought to be.

The only activity was the almost noiseless buzzing as the hotel android ran the cleaner over the living room. Presently even that ceased, and Tommy lay relaxed and inert, sleepily watching the curtains blow in and out at the open window. Thirty stories above the street the noises were pleasantly muffled and remote, and his senses drifted aimlessly to and fro on the tides of half-sleep.

Drowsily his mind wandered from the hotel's android servants ... to the strictly utilitarian mechanical monstrosity at home, known affectionately as "Old John" ... to the android showroom where they had seen the one that Dad said looked like Mother....

He jolted suddenly, sickeningly awake. Suppose, his mind whispered treacherously, suppose that Dad had ordered one to take Mom's place ... not on Mars, but here while she returned to Mars with him. Suppose that instead of Mom he discovered one of those Things ... or even worse, suppose he went on from day to day not even knowing....

It was a bad five minutes; he was wet with perspiration when he lay back on his pillows, a shaky smile tugging at the corners of his mouth. He had a secret defense against the Terror. He giggled a little at the thought of what Aunt Bee would say if she knew.

And what had brought him back from the edge of hysteria was the triumphant knowledge that with the abnormally acute hearing bred in the thin atmosphere of Mars, no robot ever created could hide from him the infinitesimal ticking of the electronic relays that gave it life. Secure at last, his overstrung nerves relaxed and he slid gratefully over the edge of sleep.

He woke abruptly, groping after some vaguely remembered sound. A soft clicking of heels down the hall.... Of course, his mother back from the Spaceport! Now she would be stopping at his door to see if he were asleep. He lay silently; through his eyelashes he could see her outlined in the soft light from the hall. She was coming in to see if he was tucked in. In a moment he would jump up and startle her with a hug, as she leaned over him. In a moment....

Screaming desperately, he was out of bed, backing heedlessly across the room. He was still screaming as the low sill of the open window caught him behind the knees and toppled him thirty stories to the street.

Alone in the silent room, Helen Benton stood dazed, staring blindly at the empty window.

Tommy's parting gift from his father slid from her hand and lay on the carpet, still ticking gently.

It was 9:23 on Mars.

The End

Transcriber's Note:

This etext was produced from Imagination Stories of Science and Fantasy July 1953. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. Minor spelling and typographical errors have been corrected without note.

End of the Project Gutenberg EBook of Native Son, by T. D. Hamm

*** END OF THIS PROJECT GUTENBERG EBOOK NATIVE SON ***

***** This file should be named 30014-h.htm or 30014-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/3/0/0/1/30014/

Produced by Greg Weeks, Stephen Blundell and the Online
Distributed Proofreading Team at http://www.pgdp.net

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.

*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.net/license).

Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.net),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.

Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.

Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org

Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: http://pglaf.org/donate

Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.net

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.