The Project Gutenberg EBook of The Luckiest Man in Denv, by Simon Eisner

This eBook is for the use of anyone anywhere in the United States and most
other parts of the world at no cost and with almost no restrictions
whatsoever.  You may copy it, give it away or re-use it under the terms of
the Project Gutenberg License included with this eBook or online at
www.gutenberg.org.  If you are not located in the United States, you'll have
to check the laws of the country where you are located before using this ebook.

Title: The Luckiest Man in Denv

Author: Simon Eisner

Release Date: January 3, 2016 [EBook #50835]

Language: English

*** START OF THIS PROJECT GUTENBERG EBOOK THE LUCKIEST MAN IN DENV ***

Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net

The Luckiest Man in Denv

By SIMON EISNER

Illustrated by EMSH

[Transcriber's Note: This etext was produced from
Galaxy Science Fiction June 1952.
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]

To get the break of his life, all Reuben had to
do was turn the death trap into a jackpot!

May's man Reuben, of the eighty-third level, Atomist, knew there was something wrong when the binoculars flashed and then went opaque. Inwardly he cursed, hoping that he had not committed himself to anything. Outwardly he was unperturbed. He handed the binoculars back to Rudolph's man Almon, of the eighty-ninth level, Maintainer, with a smile.

"They aren't very good," he said.

Almon put them to his own eyes, glanced over the parapet and swore mildly. "Blacker than the heart of a crazy Angel, eh? Never mind; here's another pair."

This pair was unremarkable. Through it, Reuben studied the thousand setbacks and penthouses, of Denv that ranged themselves below. He was too worried to enjoy his first sight of the vista from the eighty-ninth level, but he let out a murmur of appreciation. Now to get away from this suddenly sinister fellow and try to puzzle it out.

"Could we—?" he asked cryptically, with a little upward jerk of his chin.

"It's better not to," Almon said hastily, taking the glasses from his hands. "What if somebody with stars happened to see, you know? How'd you like it if you saw some impudent fellow peering up at you?"

"He wouldn't dare!" said Reuben, pretending to be stupid and indignant, and joined a moment later in Almon's sympathetic laughter.

"Never mind," said Almon. "We are young. Some day, who knows? Perhaps we shall look from the ninety-fifth level, or the hundredth."

Though Reuben knew that the Maintainer was no friend of his, the generous words sent blood hammering through his veins; ambition for a moment.

He pulled a long face and told Almon: "Let us hope so. Thank you for being my host. Now I must return to my quarters."

He left the windy parapet for the serene luxury of an eighty-ninth-level corridor and descended slow moving stairs through gradually less luxurious levels to his own Spartan floor. Selene was waiting, smiling, as he stepped off the stairs.

She was decked out nicely—too nicely. She wore a steely hued corselet and a touch of scent; her hair was dressed long. The combination appealed to him, and instantly he was on his guard. Why had she gone to the trouble of learning his tastes? What was she up to? After all, she was Griffin's woman.

"Coming down?" she asked, awed. "Where have you been?"

"The eighty-ninth, as a guest of that fellow Almon. The vista is immense."

"I've never been...." she murmured, and then said decisively: "You belong up there. And higher. Griffin laughs at me, but he's a fool. Last night in chamber we got to talking about you, I don't know how, and he finally became quite angry and said he didn't want to hear another word." She smiled wickedly. "I was revenged, though."

Blank-faced, he said: "You must be a good hand at revenge, Selene, and at stirring up the need for it."

The slight hardening of her smile meant that he had scored and he hurried by with a rather formal salutation.

Burn him for an Angelo, but she was easy enough to take! The contrast of the metallic garment with her soft, white skin was disturbing, and her long hair suggested things. It was hard to think of her as scheming something or other; scheming Selene was displaced in his mind by Selene in chamber.

But what was she up to? Had she perhaps heard that he was to be elevated? Was Griffin going to be swooped on by the Maintainers? Was he to kill off Griffin so she could leech onto some rising third party? Was she perhaps merely giving her man a touch of the lash?

He wished gloomily that the binoculars-problem and the Selene-problem had not come together. That trickster Almon had spoken of youth as though it were something for congratulation; he hated being young and stupid and unable to puzzle out the faulty binoculars and the warmth of Griffin's woman.

The attack alarm roared through the Spartan corridor. He ducked through the nearest door into a vacant bedroom and under the heavy steel table. Somebody else floundered under the table a moment later, and a third person tried to join them.

The firstcomer roared: "Get out and find your own shelter! I don't propose to be crowded out by you or to crowd you out either and see your ugly blood and brains if there's a hit. Go, now!"

"Forgive me, sir! At once, sir!" the latecomer wailed; and scrambled away as the alarm continued to roar.

Reuben gasped at the "sirs" and looked at his neighbor. It was May! Trapped, no doubt, on an inspection tour of the level.

"Sir," he said respectfully, "if you wish to be alone, I can find another room."

"You may stay with me for company. Are you one of mine?" There was power in the general's voice and on his craggy face.

"Yes, sir. May's man Reuben, of the eighty-third level, Atomist."

May surveyed him, and Reuben noted that there were pouches of skin depending from cheekbones and the jaw line—dead-looking, coarse-pored skin.

"You're a well-made boy, Reuben. Do you have women?"

"Yes, sir," said Reuben hastily. "One after another—I always have women. I'm making up at this time to a charming thing called Selene. Well-rounded, yet firm, soft but supple, with long red hair and long white legs—"

"Spare me the details," muttered the general. "It takes all kinds. An Atomist, you said. That has a future, to be sure. I myself was a Controller long ago. The calling seems to have gone out of fashion—"

Abruptly the alarm stopped. The silence was hard to bear.

May swallowed and went on: "—for some reason or other. Why don't youngsters elect for Controller any more? Why didn't you, for instance?"

Reuben wished he could be saved by a direct hit. The binoculars, Selene, the raid, and now he was supposed to make intelligent conversation with a general.

"I really don't know, sir," he said miserably. "At the time there seemed to be very little difference—Controller, Atomist, Missiler, Maintainer. We have a saying, 'The buttons are different,' which usually ends any conversation on the subject."

"Indeed?" asked May distractedly. His face was thinly filmed with sweat. "Do you suppose Ellay intends to clobber us this time?" he asked almost hoarsely. "It's been some weeks since they made a maximum effort, hasn't it?"

"Four," said Reuben. "I remember because one of my best Servers was killed by a falling corridor roof—the only fatality and it had to happen to my team!"

He laughed nervously and realized that he was talking like a fool, but May seemed not to notice.

Far below them, there was a series of screaming whistles as the interceptors were loosed to begin their intricate, double basketwork wall of defense in a towering cylinder about Denv.

"Go on, Reuben," said May. "That was most interesting." His eyes were searching the underside of the steel table.

Reuben averted his own eyes from the frightened face, feeling some awe drain out of him. Under a table with a general! It didn't seem so strange now.

"Perhaps, sir, you can tell me what a puzzling thing, that happened this afternoon, means. A fellow—Rudolph's man Almon, of the eighty-ninth level—gave me a pair of binoculars that flashed in my eyes and then went opaque. Has your wide experience—"

May laughed hoarsely and said in a shaky voice: "That old trick! He was photographing your retinas for the blood-vessel pattern. One of Rudolph's men, eh? I'm glad you spoke to me; I'm old enough to spot a revival like that. Perhaps my good friend Rudolph plans—"

There was a thudding volley in the air and then a faint jar. One had got through, exploding, from the feel of it, far down at the foot of Denv.

The alarm roared again, in bursts that meant all clear; only one flight of missiles and that disposed of.

The Atomist and the general climbed out from under the table; May's secretary popped through the door. The general waved him out again and leaned heavily on the table, his arms quivering. Reuben hastily brought a chair.

"A glass of water," said May.

The Atomist brought it. He saw the general wash down what looked like a triple dose of XXX—green capsules which it was better to leave alone.

May said after a moment: "That's better. And don't look so shocked, youngster; you don't know the strain we're under. It's only a temporary measure which I shall discontinue as soon as things ease up a bit. I was saying that perhaps my good friend Rudolph plans to substitute one of his men for one of mine. Tell me, how long has this fellow Almon been a friend of yours?"

"He struck up an acquaintance with me only last week. I should have realized—"

"You certainly should have. One week. Time enough and more. By now you've been photographed, your fingerprints taken, your voice recorded and your gait studied without your knowledge. Only the retinascope is difficult, but one must risk it for a real double. Have you killed your man, Reuben?"

He nodded; It had been a silly brawl two years ago over precedence at the refectory; he disliked being reminded of it.

"Good," said May grimly. "The way these things are done, your double kills you in a secluded spot, disposes of your body and takes over your role. We shall reverse it. You will kill the double and take over his role."

The powerful, methodical voice ticked off possibilities and contingencies, measures, and countermeasures. Reuben absorbed them and felt his awe return. Perhaps May had not really been frightened under the table; perhaps it had been he reading his own terror in the general's face. May was actually talking to him of backgrounds and policies. "Up from the eighty-third level!" he swore to himself as the great names were uttered.

"My good friend Rudolph, of course, wants the five stars. You would not know this, but the man who wears the stars is now eighty years old and failing fast. I consider myself a likely candidate to replace him. So, evidently, must Rudolph. No doubt he plans to have your double perpetrate some horrible blunder on the eve of the election, and the discredit would reflect on me. Now what you and I must do—"

You and I—May's man Reuben and May—up from the eighty-third! Up from the bare corridors and cheerless bedrooms to marble halls and vaulted chambers! From the clatter of the crowded refectory to small and glowing restaurants where you had your own table and servant and where music came softly from the walls! Up from the scramble to win this woman or that, by wit or charm or the poor bribes you could afford, to the eminence from which you could calmly command your pick of the beauty of Denv! From the moiling intrigue of tripping your fellow Atomist and guarding against him tripping you to the heroic thrust and parry of generals!

Up from the eighty-third!

Then May dismissed him with a speech whose implications were deliriously exciting. "I need an able man and a young one, Reuben. Perhaps I've waited too long looking for him. If you do well in this touchy business, I'll consider you very seriously for an important task I have in mind."

Late that night, Selene came to his bedroom.

"I know you don't like me," she said pettishly, "but Griffin's such a fool and I wanted somebody to talk to. Do you mind? What was it like up there today? Did you see carpets? I wish I had a carpet."

He tried to think about carpets and not the exciting contrast of metallic cloth and flesh.

"I saw one through an open door," he remembered. "It looked odd, but I suppose a person gets used to them. Perhaps I didn't see a very good one. Aren't the good ones very thick?"

"Yes," she said. "Your feet sink into them. I wish I had a good carpet and four chairs and a small table as high as my knees to put things on and as many pillows as I wanted. Griffin's such a fool. Do you think I'll ever get those things? I've never caught the eye of a general. Am I pretty enough to get one, do you think?"

He said uneasily: "Of course you're a pretty thing, Selene. But carpets and chairs and pillows—" It made him uncomfortable, like the thought of peering up through binoculars from a parapet.

"I want them," she said unhappily. "I like you very much, but I want so many things and soon I'll be too old even for the eighty-third level, before I've been up higher, and I'll spend the rest of my life tending babies or cooking in the creche or the refectory."

She stopped abruptly, pulled herself together and gave him a smile that was somehow ghastly in the half-light.

"You bungler," he said, and she instantly looked at the door with the smile frozen on her face. Reuben took a pistol from under his pillow and demanded, "When do you expect him?"

"What do you mean?" she asked shrilly. "Who are you talking about?"

"My double. Don't be a fool, Selene. May and I—" he savored it—"May and I know all about it. He warned me to beware of a diversion by a woman while the double slipped in and killed me. When do you expect him?"

"I really do like you," Selene sobbed. "But Almon promised to take me up there and I knew when I was where they'd see me that I'd meet somebody really important. I really do like you, but soon I'll be too old—"

"Selene, listen to me. Listen to me! You'll get your chance. Nobody but you and me will know that the substitution didn't succeed!"

"Then I'll be spying for you on Almon, won't I?" she asked in a choked voice. "All I wanted was a few nice things before I got too old. All right, I was supposed to be in your arms at 2350 hours."

It was 2349. Reuben sprang from bed and stood by the door, his pistol silenced and ready. At 2350 a naked man slipped swiftly into the room, heading for the bed as he raised a ten-centimeter poignard. He stopped in dismay when he realized that the bed was empty.

Reuben killed him with a bullet through the throat.

"But he doesn't look a bit like me," he said in bewilderment, closely examining the face. "Just in a general way."

Selene said dully: "Almon told me people always say that when they see their doubles. It's funny, isn't it? He looks just like you, really."

"How was my body to be disposed of?"

She produced a small flat box. "A shadow suit. You were to be left here and somebody would come tomorrow."

"We won't disappoint him." Reuben pulled the web of the shadow suit over his double and turned on the power. In the half-lit room, it was a perfect disappearance; by daylight it would be less perfect. "They'll ask why the body was shot instead of knifed. Tell them you shot me with the gun from under the pillow. Just say I heard the double come in and you were afraid there might have been a struggle."

She listlessly asked: "How do you know I won't betray you?"

"You won't, Selene." His voice bit. "You're broken."

She nodded vaguely, started to say something and then went out without saying it.

Reuben luxuriously stretched in his narrow bed. Later, his beds would be wider and softer, he thought. He drifted into sleep on a half-formed thought that some day he might vote with other generals on the man to wear the five stars—or even wear them himself, Master of Denv.

He slept healthily through the morning alarm and arrived late at his regular twentieth-level station. He saw his superior, May's man Oscar of the eighty-fifth level, Atomist, ostentatiously take his name. Let him!

Oscar assembled his crew for a grim announcement: "We are going to even the score, and perhaps a little better, with Ellay. At sunset there will be three flights of missiles from Deck One."

There was a joyous murmur and Reuben trotted off on his task.

All forenoon he was occupied with drawing plutonium slugs from hyper-suspicious storekeepers in the great rock-quarried vaults, and seeing them through countless audits and assays all the way to Weapons Assembly. Oscar supervised the scores there who assembled the curved slugs and the explosive lenses into sixty-kilogram warheads.

In mid-afternoon there was an incident. Reuben saw Oscar step aside for a moment to speak to a Maintainer whose guard fell on one of the Assembly Servers, and dragged him away as he pleaded innocence. He had been detected in sabotage. When the warheads were in and the Missilers seated, waiting at their boards, the two Atomists rode up to the eighty-third's refectory.

The news of a near-maximum effort was in the air; it was electric. Reuben heard on all sides in tones of self-congratulation: "We'll clobber them tonight!"

"That Server you caught," he said to Oscar. "What was he up to?"

His commander stared. "Are you trying to learn my job? Don't try it, I warn you. If my black marks against you aren't enough, I could always arrange for some fissionable material in your custody to go astray."

"No, no! I was just wondering why people do something like that."

Oscar sniffed doubtfully. "He's probably insane, like all the Angelos. I've heard the climate does it to them. You're not a Maintainer or a Controller. Why worry about it?"

"They'll brainburn him, I suppose?"

"I suppose. Listen!"

Deck One was firing. One, two, three, four, five, six. One, two, three, four, five, six. One, two, three, four, five, six.

People turned to one another and shook hands, laughed and slapped shoulders heartily. Eighteen missiles were racing through the stratosphere, soon to tumble on Ellay. With any luck, one or two would slip through the first wall of interceptors and blast close enough to smash windows and topple walls in the crazy city by the ocean. It would serve the lunatics right.

Five minutes later an exultant voice filled most of Denv.

"Recon missile report," it said. "Eighteen launched, eighteen perfect trajectories. Fifteen shot down by Ellay first-line interceptors, three shot down by Ellay second-line interceptors. Extensive blast damage observed in Griffith Park area of Ellay!"

There were cheers.

And eight Full Maintainers marched into the refectory silently, and marched out with Reuben.

He knew better than to struggle or ask futile questions. Any question you asked of a Maintainer was futile. But he goggled when they marched him onto an upward-bound stairway.

They rode past the eighty-ninth level and Reuben lost count, seeing only the marvels of the upper reaches of Denv. He saw carpets that ran the entire length of corridors, and intricate fountains, and mosaic walls, stained-glass windows, more wonders than he could recognize, things for which he had no name.

He was marched at last into a wood-paneled room with a great polished desk and a map behind it. He saw May, and another man who must have been a general—Rudolph?—but sitting at the desk was a frail old man who wore a circlet of stars on each khaki shoulder.

The old man said to Reuben: "You are an Ellay spy and saboteur."

Reuben looked at May. Did one speak directly to the man who wore the stars, even in reply to such an accusation?

"Answer him, Reuben," May said kindly.

"I am May's man Reuben, of the eighty-third level, an Atomist," he said.

"Explain," said the other general heavily, "if you can, why all eighteen of the warheads you procured today failed to fire."

"But they did!" gasped Reuben. "The Recon missile report said there was blast damage from the three that got through and it didn't say anything about the others failing to fire."

The other general suddenly looked sick and May looked even kindlier. The man who wore the stars turned inquiringly to the chief of the Maintainers, who nodded and said: "That was the Recon missile report, sir."

The general snapped: "What I said was that he would attempt to sabotage the attack. Evidently he failed. I also said he is a faulty double, somehow slipped with great ease into my good friend May's organization. You will find that his left thumb print is a clumsy forgery of the real Reuben's thumb print and that his hair has been artificially darkened."

The old man nodded at the chief of the Maintainers, who said: "We have his card, sir."

Reuben abruptly found himself being fingerprinted and deprived of some hair.

"The f.p.s check, sir," one Maintainer said. "He's Reuben."

"Hair's natural, sir," said another.

The general began a rear-guard action: "My information about his hair seems to have been inaccurate. But the fingerprint means only that Ellay spies substituted his prints for Reuben's prints in the files—"

"Enough, sir," said the old man with the stars. "Dismissed. All of you. Rudolph, I am surprised. All of you, go."

Reuben found himself in a vast apartment with May, who was bubbling and chuckling uncontrollably until he popped three of the green capsules into his mouth hurriedly.

"This means the eclipse for years of my good friend Rudolph," he crowed. "His game was to have your double sabotage the attack warheads and so make it appear that my organization is rotten with spies. The double must have been under post-hypnotic, primed to admit everything. Rudolph was so sure of himself that he made his accusations before the attack, the fool!"

He fumbled out the green capsules again.

"Sir," said Reuben, alarmed.

"Only temporary," May muttered, and swallowed a fourth. "But you're right. You leave them alone. There are big things to be done in your time, not in mine. I told you I needed a young man who could claw his way to the top. Rudolph's a fool. He doesn't need the capsules because he doesn't ask questions. Funny, I thought a coup like the double affair would hit me hard, but I don't feel a thing. It's not like the old days. I used to plan and plan, and when the trap went snap it was better than this stuff. But now I don't feel a thing."

He leaned forward from his chair; the pupils of his eyes were black bullets.

"Do you want to work?" he demanded. "Do you want your world stood on its head and your brains to crack and do the only worthwhile job there is to do? Answer me!"

"Sir, I am a loyal May's man. I want to obey your orders and use my ability to the full."

"Good enough," said the general. "You've got brains, you've got push. I'll do the spade work. I won't last long enough to push it through. You'll have to follow. Ever been outside of Denv?"

Reuben stiffened.

"I'm not accusing you of being a spy. It's really all right to go outside of Denv. I've been outside. There isn't much to see at first—a lot of ground pocked and torn up by shorts and overs from Ellay and us. Farther out, especially east, it's different. Grass, trees, flowers. Places where you could grow food.

"When I went outside, it troubled me. It made me ask questions. I wanted to know how we started. Yes—started. It wasn't always like this. Somebody built Denv. Am I getting the idea across to you? It wasn't always like this!

"Somebody set up the reactors to breed uranium and make plutonium. Somebody tooled us up for the missiles. Somebody wired the boards to control them. Somebody started the hydroponics tanks.

"I've dug through the archives. Maybe I found something. I saw mountains of strength reports, ration reports, supply reports, and yet I never got back to the beginning. I found a piece of paper and maybe I understood it and maybe I didn't. It was about the water of the Colorado River and who should get how much of it. How can you divide water in a river? But it could have been the start of Denv, Ellay, and the missile attacks."

The general shook his head, puzzled, and went on: "I don't see clearly what's ahead. I want to make peace between Denv and Ellay, but I don't know how to start or what it will be like. I think it must mean not firing, not even making any more weapons. Maybe it means that some of us, or a lot of us, will go out of Denv and live a different kind of life. That's why I've clawed my way up. That's why I need a young man who can claw with the best of them. Tell me what you think."

"I think," said Reuben measuredly, "it's magnificent—the salvation of Denv. I'll back you to my dying breath if you'll let me."

May smiled tiredly and leaned back in the chair as Reuben tip-toed out.

What luck, Reuben thought—what unbelievable luck to be at a fulcrum of history like this!

He searched the level for Rudolph's apartment and gained admission.

To the general, he said: "Sir, I have to report that your friend May is insane. He has just been raving to me, advocating the destruction of civilization as we know it, and urging me to follow in his footsteps. I pretended to agree—since I can be of greater service to you if I'm in May's confidence."

"So?" said Rudolph thoughtfully. "Tell me about the double. How did that go wrong?"

"The bunglers were Selene and Almon. Selene because she alarmed me instead of distracting me. Almon because he failed to recognize her incompetence."

"They shall be brainburned. That leaves an eighty-ninth-level vacancy in my organization, doesn't it?"

"You're very kind, sir, but I think I should remain a May's man—outwardly. If I earn any rewards, I can wait for them. I presume that May will be elected to wear the five stars. He won't live more than two years after that, at the rate he is taking drugs."

"We can shorten it," grinned Rudolph. "I have pharmacists who can see that his drugs are more than normal strength."

"That would be excellent, sir. When he is too enfeebled to discharge his duties, there may be an attempt to rake up the affair of the double to discredit you. I could then testify that I was your man all along and that May coerced me."

They put their heads together, the two saviors of civilization as they knew it, and conspired ingeniously long into the endless night.

End of Project Gutenberg's The Luckiest Man in Denv, by Simon Eisner

*** END OF THIS PROJECT GUTENBERG EBOOK THE LUCKIEST MAN IN DENV ***

***** This file should be named 50835-h.htm or 50835-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/5/0/8/3/50835/

Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net

Updated editions will replace the previous one--the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for the eBooks, unless you receive
specific permission. If you do not charge anything for copies of this
eBook, complying with the rules is very easy. You may use this eBook
for nearly any purpose such as creation of derivative works, reports,
performances and research. They may be modified and printed and given
away--you may do practically ANYTHING in the United States with eBooks
not protected by U.S. copyright law. Redistribution is subject to the
trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works

1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1.E.8.

1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country outside the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:

  This eBook is for the use of anyone anywhere in the United States and
  most other parts of the world at no cost and with almost no
  restrictions whatsoever. You may copy it, give it away or re-use it
  under the terms of the Project Gutenberg License included with this
  eBook or online at www.gutenberg.org. If you are not located in the
  United States, you'll have to check the laws of the country where you
  are located before using this ebook.

1.E.2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg-tm License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm web site
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original "Plain
Vanilla ASCII" or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that

* You pay a royalty fee of 20% of the gross profits you derive from
  the use of Project Gutenberg-tm works calculated using the method
  you already use to calculate your applicable taxes. The fee is owed
  to the owner of the Project Gutenberg-tm trademark, but he has
  agreed to donate royalties under this paragraph to the Project
  Gutenberg Literary Archive Foundation. Royalty payments must be paid
  within 60 days following each date on which you prepare (or are
  legally required to prepare) your periodic tax returns. Royalty
  payments should be clearly marked as such and sent to the Project
  Gutenberg Literary Archive Foundation at the address specified in
  Section 4, "Information about donations to the Project Gutenberg
  Literary Archive Foundation."

* You provide a full refund of any money paid by a user who notifies
  you in writing (or by e-mail) within 30 days of receipt that s/he
  does not agree to the terms of the full Project Gutenberg-tm
  License. You must require such a user to return or destroy all
  copies of the works possessed in a physical medium and discontinue
  all use of and all access to other copies of Project Gutenberg-tm
  works.

* You provide, in accordance with paragraph 1.F.3, a full refund of
  any money paid for a work or a replacement copy, if a defect in the
  electronic work is discovered and reported to you within 90 days of
  receipt of the work.

* You comply with all other terms of this agreement for free
  distribution of Project Gutenberg-tm works.

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg-tm electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from both the Project Gutenberg Literary Archive Foundation and The
Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg-tm
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg-tm work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg-tm work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at
www.gutenberg.org

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state's laws.

The Foundation's principal office is in Fairbanks, Alaska, with the
mailing address: PO Box 750175, Fairbanks, AK 99775, but its
volunteers and employees are scattered throughout numerous
locations. Its business office is located at 809 North 1500 West, Salt
Lake City, UT 84116, (801) 596-1887. Email contact links and up to
date contact information can be found at the Foundation's web site and
official page at www.gutenberg.org/contact

For additional contact information:

    Dr. Gregory B. Newby
    Chief Executive and Director
    gbnewby@pglaf.org

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular
state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate

Section 5. General Information About Project Gutenberg-tm electronic works.

Professor Michael S. Hart was the originator of the Project
Gutenberg-tm concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg-tm eBooks with only a loose network of
volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our Web site which has the main PG search
facility: www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.